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GOP Congressmen Demand Investigation into Bad Bunny’s Halftime Show

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A group of Republican congressmen has called for an investigation into Puerto Rican artist Bad Bunny following his halftime performance during Super Bowl LX on February 12, 2023. These lawmakers criticized the show for being “explicit and indecent,” echoing controversy surrounding previous performances by Latina stars Shakira and Jennifer Lopez during the 2020 Super Bowl halftime show.

In a letter sent to the House of Energy and Commerce Committee, Representative Andy Ogles from Tennessee requested a formal congressional inquiry into the National Football League (NFL) and NBC Universal regarding their approval and review process for the halftime show. Ogles labeled Bad Bunny’s performance as “pure smut” on social media, claiming that the lyrics “openly glorified sodomy and countless other unspeakable depravities.” He further asserted that such acts are illegal to display on public airwaves.

Congressmen Randy Fine from Florida and Mark Alford from Missouri also expressed their concerns, suggesting that the Federal Communications Commission (FCC) should become involved. Fine described the performance as “disgusting” and “illegal,” characterizing it as “pornographic filth.”

The criticism of Bad Bunny’s performance began well before the event took place, with a faction of far-right politicians advocating for country singers to be chosen instead. In a direct response, musician Kid Rock hosted an alternative halftime show via Turning Point USA on YouTube, protesting Bad Bunny’s selection.

This backlash mirrors the complaints raised during the 2020 halftime show. Some critics deemed that performance “100 percent about sex” and not suitable for family viewing. In contrast, metrics for Bad Bunny’s show reveal a significant audience engagement, with an average viewership of 128.2 million, ranking it as the fourth-most-watched halftime show in history. This performance follows Kendrick Lamar’s in 2022, Michael Jackson’s in 1993, and Usher’s in 2024.

In comparison, Kid Rock’s alternative halftime event attracted only 6.1 million views, highlighting the disparity in audience interest between the two shows.

As the debate continues, the reactions to Bad Bunny’s performance underline a broader discussion on artistic expression and media standards, particularly in high-profile broadcasts like the Super Bowl. The outcome of the congressional inquiry remains to be seen, but it has already ignited conversations about the balance between entertainment and public decency.

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